At the request of their Japanese record company, the Pet Shop Boys release Mini Pet Shop Boys, an eight track CD which included “Closer to Heaven”, a remix of “New York City boy” and six songs released elsewhere as bonus tracks on CD singles.
On April 29 the Pet Shop Boys appear at an anti-hate crimes benefit concert called Equality Rocks in Washington DC, USA, on a bill including George Michael, Garth Brooks, k d lang, Chaka Khan, Ellen Degeneres and Melissa Etheridge. Melissa Etheridge joined the Pet Shop Boys onstage to sing the Dusty Springfield part in “What have I done to deserve this?” and the Pet Shop Boys also played a cover of an old disco tune by Modern Rocketry called “Homosexuality”.
On May 25, at the Ivor Novello awards in London, the Pet Shop Boys receive the award for Outstanding Contribution to British Music. Elton John presents the award. “Neil and Chris’s songs I think are incredibly underrated,” he says. “The ability to write great personal lyrics with great melodies is a very hard task.”
The Pet Shop Boys’ first musical, Closer to Heaven, a collaboration with playwright Jonathan Harvey, is privately workshopped for three weeks in London. The results are encouraging but over the next few months the musical’s plot and structure is radically reworked; Neil and Chris write a number of new songs.
On June 1, in Jerusalem, Israel, the Pet Shop Boys summer tour begins. It will take them through parts of the former Soviet Union (Estonia, Lithuania, Latvia and the Ukraine), to Japan, and back to Europe where they are due to play at various summer festivals. They have kept some elements from the Nightlife tour, but have a new set more suitable to festival appearances, with a giant screen behind them which shows a mixture of newly-commissioned and old footage. Onstage, Neil dances for the first time. “Though nobody seems to have noticed,” he says.
On June 24 the Pet Shop Boys perform for the first time at the Glastonbury festival in England. The sun sets while they are onstage, and Catatonia’s Cerys Matthews takes the part of Dusty Springfield in “What have I done to deserve this?”. It is considered one of the festival’s landmark triumphs.
On July 21 the Pet Shop Boys tour finishes at the Dr Music festival near Oviedo in North-West Spain where they follow Beck onstage. Earlier that month they have refused to perform at the Roskilde festival, despite pressure to do so, after nine people in the audience die the night before during Pearl Jam’s set.
On May 31 the Pet Shop Boys’ first musical, Closer to Heaven, opens at the Arts Theatre in London. (Preview performances have been running since May 15.) They had first mentioned their ambition to write stage musicals in a Smash Hits interview in 1986, and had been considering it seriously for the past decade. “We wanted to write something that wasn’t Les Mis or Rent,” says Chris. “A play about contemporary life with contemporary music that was not long and boring.” In 1996 they had started writing what became Closer to Heaven with Jonathan Harvey, learning as they went. “The closer we got to finishing,” says Chris, “the more we realised how important it is that there are no extraneous, meaningless bits. Even though it’s a song, the lyrics are also dialogue.” Closer to Heaven is set in a nightclub — “we know about nightclubs,” says Neil — and revolves around the stories of a young Irishman, Straight Dave, apparently cocky but struggling with his sexuality and his dreams of being a pop star, and of a nightclub hostess Billie Trix whose years of great beauty and success have long passed. “We haven’t set out to do a big West End musical,” says Neil. “It’s an attempt to do something new.” There is some early validation from Elton John who, after the opening night, tells the Evening Standard that “the comfortable world of the West End musical has been blown apart.”
On June 6 the Pet Shop Boys release deluxe new versions of their first six albums: Please, Actually, Introspective, Behaviour, Very and Bilingual. All the music on them has been remastered (a fairly long process in itself, overseen largely by Neil) and each is reissued with an extra Further Listening CD of all the relevant other music recorded by the Pet Shop Boys in the same period, including a number of previously-unreleased recordings. Each now comes in a cardboard slipcase with a new 36 page booklet in which the Pet Shop Boys discuss in detail every single song.
On October 6, the Closer to Heaven cast album is released, containing fifteen songs written by the Pet Shop Boys and, aside from two instrumentals, sung by the original Closer to Heaven cast. (Only three of the songs have previously been recorded by the Pet Shop Boys, all in very different versions.) The album is produced by Stephen Hague and the Pet Shop Boys. It does not include, however, the rarest of all Pet Shop Boys and Closer to Heaven-associated releases, a CD single only available in the theatre foyer by the character Billie Trix (played by Frances Barber), combining her original 1971 hit “Run Girl Run” with her 1981 re-recording of the same song.
The Boys perform in Toronto, Canada. On this same day, ‘New York City Boy’ is released as a single in the U.S.
Chris attends a launch party at London’s popular club Kilo in celebration of the release of the new Bananarama album Drama. Neil, however, attends a book-launch party at the National Army Museum, which is also attended by Britain’s last surviving World War I veterans—men more than a century old.
Neil is interviewed on Los Angeles radio station KBIG FM. That evening the Boys perform the second of two consecutive nights’ shows in L.A. Backstage afterward they meet Diane Warren, the composer of ‘Numb,’ in person for the first time.
Dame Shirley Bassey’s album The Performance is released, featuring the Tennant-Lowe song ‘The Performance of My Life.’
The Pet Shop Boys appear on television this evening on BBC1’s The One Show.
Back in the States following a brief visit to Canada, the Boys bring the Super Tour this evening to Boston.
They work in the studio on ‘Happy People,’ after which Neil takes the U1 to record train sounds for use in ‘Will-o-the-wisp.’