On March 19 two books by Chris Heath – Literally from 1990, and Pet Shop Boys versus America from 1993 – were reissued by the Penguin imprint Cornerstone, completely redesigned by Farrow design, and new introductions and afterwords written by the Pet Shop Boys and Chris Heath.
On April 21, Discovery, the film of the Pet Shop Boys 1994 South American tour – “the tour I enjoyed the most,” Chris notes – is released on DVD, accompanied by the release for the first time of a CD of their performance.
On May 7, a new Pet Shop Boys song, the ten-minute “Cricket wife”, is released on CD (accompanied by “West End girls (New lockdown version)”) with the periodical Annually 2021. “Cricket wife”, written during lockdown, began as an extended piece of music created by Chris. “My mum asked me if I would write a piece of classical music for her,” he explains. “I thought, ‘Well, I’ve got nothing else better to do.’ ‘Classical’ in inverted commas, obviously – I’m no classical composer. In the style of classical music.” When Neil received it, it struck him that it might fit a poem he had written some years before. “It’s really about my parents,” he says. “My father played cricket for many years.”
On December 26, the Pet Shop Boys host a three-hour radio show, Pet Shop Boys, Takeover, on BBC Radio 2 between 9pm and midnight, playing a selection of favourite songs; a broadcast also billed by Radio 2 as “Neil and Chris’s Unpredictable Party Playlist”. (The show has been pre-recorded on the afternoon of December 13.) The Pet Shop Boys have recorded five new jingles for the show, titled “Takeover”, “Strings”, “Beautiful”, “Boxing Day” and “Electric”, and introduce a joyously eclectic selection of music, including records by Matt Monro, Alcazar, Paul Weller (their recent remix of his song “Cosmic Fringes”), Gloria Ann Taylor, Eric Prydz, Françoise Hardy and The 1975. “We’ve only ever done radio when we can play records that we want,” says Chris. “I love doing radio. There’s something very satisfying about broadcasting to the nation.”
Having had lunch with him two days before, Chris and Neil attend a concert by Larry Blackmon’s band Cameo at London’s Hammersmith Odeon, after which they meet with the group backstage.
Session bass player Steve Walters joins the Boys in the studio and records bass parts for ‘Birthday Boy’ and ‘Home and Dry,’ although his playing on the latter isn’t used in the final version.
Neil and Chris attend sessions at London’s famous Abbey Road studios, where string and horn parts are recorded for two of the tracks on their next album, Yes (although the title hasn’t yet been decided on at this time). Afterward they travel by taxi to Soho for a meeting related to their ballet plans.
The Pet Shop Boys appear in concert at the Sony Centre for the Performing Arts in Toronto.
Working with Pete Gleadall, Neil records his revised lyrics for ‘Give Stupidity a Chance.’
The Pet Shop Boys and New Order bring their Unity Tour show to Philadelphia.